Today, I annihilated the myth of duality with my sister of different beat.. ... ........ ..................... another pulse from within a vein of the
Ancient
blood.
Scattered seeds, severed
stems brought together
by the winds.
BLUE-COLLAR DISCONTENTS
Sunday, April 28, 2013
Tuesday, September 25, 2012
The Public House
Behind glass smiles are the whiskey ties,
the salutes, and drunken testaments,
liquid praise, and clinking compliments
as we try to swallow the past like wolves
waiting-
to devour the burden of remembrance.
Our regrets,
we bury like coffins;
silently mourning our defeat.
The void,
and vacancy we cannot fill, but turn
to stock as we attempt
to fix our losses.
Caught between affliction and anger,
our emotions bulge, and brew over
the brinks of bottles, the verges of pints
as we drown our woes behind
the barriers of the public house,
we rely on the benevolence of strangers,
to wash away the risk and reward, the sorrow
and strain of squander, the dread of ruin,
and total sum of disaster
we stagger,
masquerading our condescension,
we stumble as we lose,
our courage.
the salutes, and drunken testaments,
liquid praise, and clinking compliments
as we try to swallow the past like wolves
waiting-
to devour the burden of remembrance.
Our regrets,
we bury like coffins;
silently mourning our defeat.
The void,
and vacancy we cannot fill, but turn
to stock as we attempt
to fix our losses.
Caught between affliction and anger,
our emotions bulge, and brew over
the brinks of bottles, the verges of pints
as we drown our woes behind
the barriers of the public house,
we rely on the benevolence of strangers,
to wash away the risk and reward, the sorrow
and strain of squander, the dread of ruin,
and total sum of disaster
we stagger,
masquerading our condescension,
we stumble as we lose,
our courage.
Saturday, September 22, 2012
SparkNotes
I deleted all of my writing over the last three years. I had to. It was too depressing. Every poem, every essay, every simile, and stale metaphor, I had to erase this cycle. I had to purge the Past. The Past is gone. And, I relied far too much on the cyclical forms of expression, and dark subject matter. I am tired of writing about darkness, and all that is ugly and vile. It did nothing, but cloud my mind, and I cannot revisit it. It served a purpose. It was a necessary part of my catharsis. So here we begin a new page. I leave behind the notes of the puke gallery, the days spent in Brazil, the hours spent agonizing over men, who couldn't love me back, now, is the time to redefine rhyme.
I made a religion out of sorrow and whine,
I was the preacher and the pulpit, I was the dark romantic, the tragic Bohemian, the lost soul, and those days are over, the days of nomadic self destruction have come to an end. And, I am tired of being a fringe spectacle, it's cheating, I am exhausted by recounting the close encounters with death, the brushes with Fate, I am weary of glamorizing destruction, I have given up glitter, laurels, and red lips, I have cooled, calmed, and settled, and I will not make myself the main attraction, I am not a freak show. I am a girl who has lived and survived the worst humanity has to offer, and rather than attract wonder, I'd rather convey what was lost, what is gained, and what remains than add faux glimmer and sparkle. I am not a book invented for you entertainment. I am not your SparkNotes.
Friday, September 21, 2012
Thoughts on the Equinox
I started a new practice. Each morning, I get up and I try to assess the source of my thoughts, and rather than immediately pan out to the future, I now go through the day on a case-by-case basis. It's difficult at times because what is perhaps a core to most is absolutely new to me. In a way, I am sort of frightened and relieved that my voice can still be so Puritanical... how? I have no idea.
As a child, I was super petrified of making the smallest error in judgment, and this manner of thinking was present from the get-go. The funny thing is, as a child, I always felt alien, I always felt disconnected from others. As a child, I simply stared and spent the majority of my time, playing in my own world. I don't remember feeling anything much. I even used to pull away my hand from my mother and other adults. I refused hugs, and pretty much never wanted to have anything to do with anyone else.
I didn't know how. I didn't understand other kids. They couldn't understand me. I was meant to be an only child, but I was lucky enough to have a sister. Being the older child is confusing. I think we're more of an experiment, we're sort of the testing ground, and it's okay because our parents had no instruction manual either. There is
I loved water, and I loved looking at things in the garden. I had very poor social skills. I didn't want to play with other children, I liked drawing, and I liked my grandfather, and I loved sitting and drawing on the coffee table while he watched "The Price is Right."
And now, I think about who I am, and how I got here, and where I'm going. I think about all I have to do, and all I want to do, and all I need to do to stay true. Life is a learning experience. Some of us need to fall harder than others. Some of us must climb to be better individuals, and some of us are further along than others. I'm here, I'll do the best I can.
As a child, I was super petrified of making the smallest error in judgment, and this manner of thinking was present from the get-go. The funny thing is, as a child, I always felt alien, I always felt disconnected from others. As a child, I simply stared and spent the majority of my time, playing in my own world. I don't remember feeling anything much. I even used to pull away my hand from my mother and other adults. I refused hugs, and pretty much never wanted to have anything to do with anyone else.
I didn't know how. I didn't understand other kids. They couldn't understand me. I was meant to be an only child, but I was lucky enough to have a sister. Being the older child is confusing. I think we're more of an experiment, we're sort of the testing ground, and it's okay because our parents had no instruction manual either. There is
I loved water, and I loved looking at things in the garden. I had very poor social skills. I didn't want to play with other children, I liked drawing, and I liked my grandfather, and I loved sitting and drawing on the coffee table while he watched "The Price is Right."
And now, I think about who I am, and how I got here, and where I'm going. I think about all I have to do, and all I want to do, and all I need to do to stay true. Life is a learning experience. Some of us need to fall harder than others. Some of us must climb to be better individuals, and some of us are further along than others. I'm here, I'll do the best I can.
Friday, July 8, 2011
The Guest from Canis Minor
I wonder, who my Puppetmaster may be in this reality; he's always operating behind the scenes, and will remain there until it's 'Game Over'. It doesn't matter much more to me, I've basically tired of Unknown adventures, I just want to figure my life out, but of course that's the minute things become ultimately more complex, definitively unclear, but it's a constant battle, I've had a hard time surrendering. I was told to plan out my entire life, and didn't do so with much success. Then, I'll wait for someone to bring up something, and then I'll go back home, and then what? I don't know... something, though.
Watching Rabbit Hole, I thought about something, I should write a play. I want to write a play about the old consuming the young; a play about a reality that I and the members of my family cling on to still, after all the years that have transpired. The play will be told from the perspective of my dead dog, who no longer has a body, but is the omniscient narrator from another dimension, who came back as a ghost to see the state of our family after being dead for two months, the equivalent of a 10-year journey from where she's from. She is a male in her new-found reality, and it will be told in 1st person, with asides to the audience and dialogue, featuring flashbacks and flash-forwards. I think a play is more accessible to someone like me, because in Creative Writing workshops, I was always told my strength was dialogue. Well, time to flesh out this idea, and write working title, "The Guest from Canis Minor".
Thursday, January 13, 2011
Drawn to ledges
my gaze
edges
tip ... toes one
blink
over
to kiss wet
[Cement]
Quartz graveyard
bottles
without messages
glimmer and gleam
like blades or blood
diamonds
distant celestial dots slaves to the night sky.
Twinkle ...
...Twinkle
you
staccato sirens
lamenting life's lost
children
searching... for shiny promises
scattered across
the
Universe like seeds
weary of the
whims of
impulsive
winds.
Who remembers these
motherless
sons
and
daughters?
nocturnal nomads
seeking mercy from
the damning
desert's
solemn sands'
subterranean
caverns
realm to ravenous red
giants' stolen
treasures
down
below
the day's surface
ruled by serpents
crowning the
(anonymous?)
bones littered by life’s countless {1...2....}
orphans.
Monday, January 3, 2011
Paradise Lost
The need to escape intensifies; this time it is different- a chemical journey inside or outside of my consciousness will not cut it anymore.
I dream in the most vibrant and intense hues of Technicolor, but
you say, "Not everything is black or white..." Keep your neutral
grays, which cannot begin to express my curiosity. I want no part of
your bland discoveries--
a slight thrill is the last thing I am looking for
(I know it's not enough). I want to feel my pounding pulse
behind my eyes, I want the world to challenge every truth
I've ever known to be true. I want to experience for myself,
by myself. I do not want to be tested on past
experiences contained in cruel, dust-heavy
tomes burying the facts inside their thick-skinned covers.
If the world is diabolical, I want to to arrive at that conclusion alone.
If the world is good, I want to discover unexpected kindness and grace in the darkest alleyways.
We have but one life, and the promise of a padded afterlife is not good enough.
Paradise. What makes you so sure that I want any part of your Paradise?
I am one of your lost children and you have the nerve to ask why I detached myself.
Your flagrant authority, your blind conviction drove me
to doubt every truth you had ever fountained.
I dream in the most vibrant and intense hues of Technicolor, but
you say, "Not everything is black or white..." Keep your neutral
grays, which cannot begin to express my curiosity. I want no part of
your bland discoveries--
a slight thrill is the last thing I am looking for
(I know it's not enough). I want to feel my pounding pulse
behind my eyes, I want the world to challenge every truth
I've ever known to be true. I want to experience for myself,
by myself. I do not want to be tested on past
experiences contained in cruel, dust-heavy
tomes burying the facts inside their thick-skinned covers.
If the world is diabolical, I want to to arrive at that conclusion alone.
If the world is good, I want to discover unexpected kindness and grace in the darkest alleyways.
We have but one life, and the promise of a padded afterlife is not good enough.
Paradise. What makes you so sure that I want any part of your Paradise?
I am one of your lost children and you have the nerve to ask why I detached myself.
Your flagrant authority, your blind conviction drove me
to doubt every truth you had ever fountained.
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